Advocates: NLD Govt Has Failed to Advance Press Freedom

Advocates: NLD Govt Has Failed to Advance Press Freedom

Press Freedom

RANGOON — The National League for Democracy (NLD) government failed to make progress in increasing press freedom during its first year in office, local lobbyists and rights groups claimed on Tuesday, stressing that there is “no clear path forward” developed by the new government concerning the issue.
One day before the World Press Freedom Day 2017, advocates from 14 local organizations—including the Assistance Association for Political Prisoners (AAPP), Myanmar IT for Development Organization, PEN Myanmar, Myanmar Journalists Association, Yangon Journalism School, Burma News International and Article 19—issued an eight-page assessment report on the country’s landscape concerning freedom of expression under one year of NLD government leadership

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The group evaluated situations in six particular areas—laws and regulations, media independence and freedom, digital freedom, freedom of assembly, speech and opinion, right to information, and safety and security—with a scale of 10 points for outstanding achievement and 0 for regression in each area.
According to the indicators, the NLD government only achieved 8 out of 60 points in all six areas—1.3 points on average for each sector—which reflects a situation between “no progress” and “very little progress” regarding freedom of expression.
“Acknowledging that the challenges for reversing decades of repression are significant, [assessment] participants pointed to multiple areas in which no clear path forward has been explicated by the new government, let alone embarked upon,” the assessment stated.
Initial findings from the first six-month assessment from April-September of 2016 were used as a comparative baseline for this one-year assessment, according to the report. It also provides a total of 26 recommendations for all six sectors, including the abolishment of Article 66(d) of the 2013 Telecommunications Law to foster greater digital freedom, and to do away with government mouthpieces for media independence and freedom.
U Myo Myint Nyein, chair of PEN Myanmar, said at the Tuesday assessment report launch event that the NLD government maintains the old policies of the former ruling Union Solidarity and Development Party concerning the press, noting how state-owned newspapers and broadcast media still serve as government propaganda rather than as public service media.
He also emphasized an urgent need to enact the Right to Information Law that guarantees access to information across public sectors and establishes mechanisms for implementation in order to ease the challenges facing journalists when trying to collect official documents, given the history of media blackouts by Burma’s previous governments.
“Some [government officials] are afraid to reply to [journalists’ inquiries] while some think there is no need to do so or don’t know how to,” U Myo Myint Nyein said.
U Zin Linn, a consultant from Burma News International, said the report is “not to pressure or blame the government, but to give constructive suggestions,” since the NLD must reform respective sectors according to principles of transparency and accountability.
A recently released index by Reporters Sans Frontieres (RSF) ranked Burma 131 out of 180 assessed countries around the world in 2017 concerning press freedom. It went up 12 places, but dropped 3.66 points in comparison to the 2016 index, with the report stating that self-censorship in Burma continues in connection with government officials and the military.

By Tin Htet Paing 2 May 2017

Advocates: NLD Govt Has Failed to Advance Press Freedom

Burmese Migrants Living in Garbage Dump on Thai Border

Burmese Migrants Living in Garbage Dump on Thai Border

Ma San Aye prepares to head out to collect rubbish.

Ma San Aye’s grandson plays in a tent near the landfill where he lives with his family.

Ko Than Oo collects recyclable waste at the front of the garbage dump in Mae Sot

Ko Than Oo and other waste collectors work at the garbage pile in Mae Sot.

A girl sets out to collect waste at a pile of garbage in Mae Sot.

A girl sets out to collect waste at a pile of garbage in Mae Sot.
MAE SOT, Thailand Migrant Issues
MAE SOT, Thailand Migrant Issues
MAE SOT, Thailand Migrant Issues
MAE SOT, Thailand Migrant Issues
MAE SOT, Thailand Migrant Issues

MAE SOT, Thailand — When entering the landfill on the outskirts of Mae Sot on Thailand’s border with Burma, flies buzz chaotically around the waste, which ranges from metal devices to worn out clothes to rotten food, the pile standing taller than a grown man.
“We consume wasted food if it is good enough. We cook it, if needed. We make our living by collecting wasted and recyclable materials and selling them,” explained Ma San Aye, a 45 year-old Burmese woman originally from Kyaukki Township in Pegu Division who has made her home at the garbage dump for more than 15 years along with her children and grandchildren.
“We can survive on 20 baht (US$0.58) a day here,” she said, sipping her tea as flies attempt to land on the cup’s rim.

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The garbage piles stand like a small hill in an area called Mae Pa—it is where all of the waste from Mae Sot town is thrown.
“Of course it is bad for our health. Before, I had no diseases. Now, I have back pain and chest pain. It is smelly, but we have adapted to it. Before, I would vomit and I couldn’t eat for five days. But it is okay now,” said Ma San Aye said.
She said she makes around 2,000 baht (US$58) a month selling materials she finds at the dump.
Those who reside near the waste site live in makeshift tents, where they eat and sleep. Some sort through the trash during the daytime, and others do so at night.

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“We can’t survive if we are afraid of bad, dirty and smelly waste. It is like our kitchen—we eat here and live here,” said Ko Than Oo, 49, while collecting recyclable materials around the landfill.
Sweat fell on his face and his clothes were soaked with perspiration.
“I know the smell is not good for our health. I get severe headaches and dizziness. Sometimes, I have heavy coughing,” he said.

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Ko Than Oo has lived near the garbage pile with his blind and aging mother for 12 years. Despite the reforms underway in Burma, he said he has no plan to go back to his homeland, as he does not have a job there. He makes about 150 baht (US$4.34) a day by collecting and selling recyclable materials. This, he said, is enough to feed himself and his mother.
Several other people, including women and children, are also busy, collecting rubbish in the heat. There are more than 100 households living at the garbage pile, and, according to residents, some have been living here for up to 20 years.

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U Moe Joe, chairman of Joint Action Committee for Burma Affairs in Mae Sot, has been supporting Burmese workers in the area for 14 years. He told The Irrawaddy that there are 300 Burmese people currently living in and around Mae Sot’s landfill; they came to Thailand hoping to escape poverty and unemployment in their hometowns.
“They depend on the garbage. They make their living by collecting waste,” he said.
Although Mae Sot is experiencing economic growth, many of the benefits do not reach the Burmese migrant workers who live and work there, U Moe Joe explained, saying that instead, those who work in factories, construction, and in waste collection are frequently “left behind.”

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The garbage collector Ko Than Oo said that migrants like himself are excluded from experiencing development in Mae Sot, adding, “It has nothing to do with us.”
For Ma San Aye, her relationship with the waste site has become a way of life, and a resource on which she depends in order to make a living.
“For us it is like a pile of gold and money. We rely on this garbage,” she says, smoking a cheroot in her tent while her grandchildren play nearby.

By Saw Yan Naing 2 May 2017 – Photo: Saw Yan Naing / The Irrawaddy

Mae Sot Thailand

Advocates: NLD Govt Has Failed to Advance Press Freedom

Hearing Burma: Teaching Artistry in Rangoon

A girl practices a traditional harp at Gitameit

A girl practices piano in the school’s auditorium

Part of Gitameit’s music library.

A teacher works with a student on her piano skills at Gitameit

A boy plays the recorder in a kitchen area at the school.

RANGOON — Community music center Gitameit’s brand new three-story building has just been finished.
It sits with fresh concrete and sparkling glass right beside the center’s old, slightly ramshackle building in a small plot on a quiet road of Rangoon’s Yankin Township.
Gitameit’s music library—a collection of records, tapes, CDs, scores, encyclopedias, and English language resources—will be moving from the cobwebbed eaves of the old building to a larger, purpose-built space on the top floor of the new structure.
Below, a number of soundproofed practice rooms have been built. In the old building, sounds of traditional slide guitar, Burmese harp, and piano compete with one other as they escape through the teak floorboards and turquoise walls.
Students of all ages from all over the country are schooled in traditional and western music at Gitameit.
On the bottom of the new building is a large performance hall which was launched in February with a concert by Norwegian string trio Trondheim Solistene improvising with Gitameit students. The new building was largely funded by Norway’s Hedda Foundation.

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When The Irrawaddy visited last month, a group of students were sat in a circle excitedly analyzing a recent performance one of them had seen online.
The seminar was part of a new “teaching artistry” certificate program recently launched by Gitameit in association with the University of Washington in the United States.
Teaching artistry tools are intended to provide artists and musicians with the skills to reach further into society and create opportunities outside of the studio or concert hall.
Course convener Ko Ne Myo Aung told The Irrawaddy that a teaching artist is someone with entrepreneurial skills who advocates for the arts and builds communities.
“Teaching artistry gives a way for us to promote what we are doing and to educate people; to encourage awareness of what music is and what music education is,” he told The Irrawaddy in the one, small, air conditioned office in a corner of the library.
Ko Ne Myo Aung is also the center’s librarian—Gitameit’s busy staff wear many hats—and was painstakingly digitalizing colonial era vinyl records when we visited.
“We probably have the biggest musical archive in Burma,” he said, casually, as he moved a pile of records off a chair for me to sit down.

 

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Ko Uyoe Yoe, one of the 25 students on the teaching artistry course, said the experience had brought him out of the classroom to engage with the Rangoon community through visits to libraries, schools, and private enterprises.
“I want to write, to compose my own meaningful songs,” the 25-year-old from northern Shan State told The Irrawaddy. “I want to share my ideas and knowledge. I want to share what I have learnt in music with the next generation.”
The students The Irrawaddy spoke to were buoyed by a recent visit from Eric Booth, a US educator and author who is widely regarded as the father of teaching artistry and who consulted on Gitameit’s new curriculum.
Eric Booth, author of “The Music Teaching Artist Bible” which is being translated into Burmese as a resource for Gitameit, said he was impressed by the students’ courage.
“We spoke of entrepreneurialism as a natural expansion of artistry, as the wish to take their passion beyond excellent performance skills into creating new opportunities to connect with audiences,” he said, noting that this often pushed students beyond what they had previously been taught.
The teaching artistry program is just another step in Gitameit’s grassroots approach to promoting and protecting music in Burma for nearly 15 years.
“We have actually been doing teaching artistry since the beginning, we just didn’t have a name for it,” said pianist of Burmese sandaya Kit Young, one of the driving forces behind Gitameit who launched the community project alongside U Mon Naing and Tayaw U Tin Yi in Chiang Mai, Thailand, in 2003.

 

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We wanted to open up civil society space. Music was a way the Burmese could do projects with embassies, with companies and help our younger musicians,” Kit Young said of Gitameit’s inception.
Gitameit, she said, was a direct response to the repressive government that Burma was under—a government that showed little or no investment in cultivating the arts and often stifled creativity and communication.
The Irrawaddy asked Kit Young if music in Burma, and traditional music in particular, was safer now in the hands of Burma’s civilian government.
“It’s always at risk, always,” said Kit Young, citing this fact as another reason for the new teaching artistry course that includes mandatory modules on traditional music.
Importantly, Gitameit wants to expand the government’s narrow view of traditional Burmese music to include the ethnic music of Burma from Shan to Arakan State.
Gitameit’s students come from all over the country, often on scholarships, and teaching artists will be challenged to travel to the four corners of Burma to work with local musicians.“Teaching artistry can get into areas where the state has blocked us out,” said Ko Ne Myo, “we will be reaching out, combining and merging many musical traditions and creating a new musical space in the country.”

There are tentative plans for cooperation with the government, but teaching staff are very cautious in its optimism—a sign of a long history of tension, broken promises, and missed opportunities.Kit Young mentioned a recent meeting she had with Rangoon chief minister U Phyo Min Thein where they discussed having Gitameit’s musicians bring the city’s museums and galleries to life with concerts and performances.

 

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State support or no state support, Gitameit is evolving from community music center, to both a Higher Education College and a social enterprise.
The center has plans to work as an agent to traditional musicians, promoting their skills and expertise.
Kit Young also told me of moves to capitalize on the uplift in foreign tourists visiting Burma.
She wants to immerse visitors in the hidden world of traditional Burmese music with unique performances such as the renowned hsaing waing, an orchestra of gongs and drums.
“They all come to see Burma,” Kit Young said, “But they rarely come to hear Burma.”

By Rik Glauert 20 April 2017

Advocates: NLD Govt Has Failed to Advance Press Freedom

Workers Replaced by Automation Demand Jobs Back

Workers Replaced by Automation Demand Jobs Back

Despite negotiations on Tuesday, management and employees of the Myanmar Mayson Industries Co. Ltd. did not reach an agreement regarding a massive dismissal of factory workers.
Myanmar Mayson Industries Co. Ltd., which manufactures Good Morning brand bread and pastries, fired 193 workers from its factory in Hlaing Tharyar Industrial Zone on March 8, stating that it was automating its production process.

Around 400 workers, including the dismissed employees, staged a sit-in protest in front of the factory that began on March 9.
“We could not negotiate an agreement. The factory owner did not show up. He sent a representative who was not authorized to make decisions. So we had to proceed to Rangoon Division [industrial dispute settlement] arbitration,” said Ko Zaw Lin Khaing, chairman of the factory’s trade union.
U Kyaw Kyaw, the secretary of the trade union, said the workers were made redundant without prior notice.
The Irrawaddy was not able to obtain a comment from company management.
“The employer is in the wrong. The strike happened because they [the employer] did as they wished without carefully consulting with employees and employee leaders,” said Ma Win Theingi Soe, an arbitrator on the Hlaing Tharyar Township industrial dispute settlement arbitration committee.
According to the workers, many who were dismissed had worked at the factory for more than 10 years, some for nearly 20 years since the establishment of the factory.
Management has said compensation would be provided but workers said they wanted their jobs back and would continue to protest until they were re-employed.

                                                                                            By Thazin Hlaing 16 March 2017

Advocates: NLD Govt Has Failed to Advance Press Freedom

China says more than 20,000 from Burma seek refuge across border

CHINA SAYS MORE THAN 20,000 FROM BURMA SEEK REFUGE ACROSS BORDER

More than 20,000 people from northern Shan State have flooded into border camps in neighboring China, seeking refuge from bitter fighting between ethnic groups and security forces, China said on Thursday.
Thousands of people have crossed China’s border in recent months to escape the conflict, which threatens Burma leader Daw Aung San Suu Kyi’s top goal of reaching peace with minorities.
This week, about 30 people were killed in an attack by ethnic Chinese insurgents in Laukkai, a town 800 kilometers (500 miles) northeast of Burma’s commercial hub Rangoon.

China is providing humanitarian assistance while taking steps to ensure peace and tranquility in the border region, Foreign Ministry spokesman Geng Shuang said.
He reiterated a call for all sides involved to “exercise restraint and immediately cease fire” to keep clashes from escalating.
“China supports Myanmar’s peace process and hopes all sides can use peaceful means to resolve their differences via dialogue and consultation,” Geng told a regular news briefing.
Stray shells and bullets had fallen into China territory, injuring one Chinese person living there and causing some other damage, he added, but did not elaborate.
The attack came after Daw Aung San Suu Kyi met a delegation of ethnic armed groups last week to convince them to take part in a major peace conference.
Daw Aung San Suu Kyi swept to power in 2015 on promises of national reconciliation and the meeting was aimed at giving fresh impetus to the stuttering peace process.
In this week’s attack, fighters of the predominantly ethnic Chinese Myanmar National Democratic Alliance Army (MNDAA) launched a pre-dawn raid on police, military and government sites in Laukkai, the capital of the northeastern Kokang region.
MNDAA is a part of the Northern Alliance coalition of rebel groups comprising one of Burma’s most powerful militias, the Kachin Independence Army (KIA), and two smaller groups caught in a standoff with the military since 2015 clashes in the region.
Many died and tens of thousands fled during that fighting, which also spilled into China and led to the death of five of its people, angering Beijing.

 

Burma – By Reuters 9 March 2017